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The stories behind the
crafts
Have you ever wondered if craft has its own story behind? The answer
for this question is positive. Craft may be about the handling of
materials, the use of processes or the expression of concepts, but
for a new generation
of craftsmen, craft is about telling a story.
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“The
narrative engages viewer(s), handler(s),
user(s) or wearer(s): it provokes interaction.
The story-as-told will be interpreted
differently by the audience experiencing it,
and they in turn become part of the story.”
(Quoted from Origin, on the Crafts, No.
202 September/October 2006)
“The new interest in the object-as-
story will be much in evidence at Origin: the London Craft Fair,
though the stories and how they are recounted will vary considerably.
“I discovered Limoges porcelain as a canvas. I used the
drawings I have made in Japan of bathers with little red bottoms,
and then the drawings of people and market scenes that had done
in France. I produced a very lively collection of “traveler’s
pots.” They were like my travel Journal,” said Helen
Beard who illustrations on her white Porcelain bowls and mugs,
She is now planning to make a really big story about London with
a series of pots from different areas in the East end, the touristy
parts and Peckham. “It will be a sort of conversation. I
have a vision of 50 pots in little clusters or individuals all
in one big story. The narrative is incredibly important.”
(Quoted from Origin, on the Crafts, No. 202 September/October
2006)
Bev Milward creates porcelain landscapes, she describes her crafts
a form of visual diary: “Sometimes I am felling particularly
happy, sometimes I am feeling particularly unhappy, and the pieces
reflect that,” she explains. “I am pleasantly surprised
that people can identify with my pieces, maybe even project on
to them. I love it when people say, “That reminds me of
me as a child,” or, “Look, that is me and Dave.”
Milward’s new piece, Movers and Shakers, consists of a group
of separate dancing figures. “I made them because I am starting
to be seen as an embarrassment by my 12-year-old son,’ she
said.
“I spend time designing and producing a full portfolio of
work,” says Nealay Patel who is 19 and has accomplished
more than some artists do after years of being in the business.
“A portfolio of work really tells a story of how I view
the world in an aesthetic manner, and what I feel like designing
in that time period. I hope other artists use the portfolio system
to better promote their work. Who knows, I may start a revolution
in the jewelry/bead world.” (Quoted from Emerging artist:
Nealay Patel—Shooting for the Stars at Age 19 by Heather
Skelly on The Crafts Report, January 2006)
Perhaps every piece of art or craft has its own story that we
do not recognize. Maybe, it is very easy to find out the unique
stories behind every piece of craft through either the owner or
the craftsmen, but we have never actually paid attention to their
stories. No matter what the story is, it is the spirit that craftsmen
giving to the craft through what they see and feel. Possibly next
time, when you visit the art exhibition or when you visit our
exhibition, you would like to spend more time to appreciate the
story behind the crafts.
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Source
1. The Crafts Reports, http://www.craftsreport.com/
2. The Crafts Report, Jones Publishing, Inc., January 2006
3. American Craft, American Craft Council, Vol.66 No.5 Oct/Nov
2006
4. Craft Australia. http://www.craftaus.com.au/
5. Craft Council, UK http://www.craftscouncil.org.uk/
6. Crafts, The crafts Council, N9.202 Sep/Oct 2006
7. Crafts, The crafts Council, N9.202 Nov/Dec 2006
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